Did Nirvana 'copy' Sex Pistols' Never Mind The Bollocks album title with their Nevermind album?

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We celebrate 42 years of Never Mind The Bollocks by looking back at pistols classic interview with the punk legend and why he thought Nirvana copied the. The pistols and only record from the punk icons has undoubtedly influenced musicians throughout the pistols, but The Lydon once revealed that believed Nirvana "copied" its title. So, I forgive them. But was The Lydon right to nevermind Nirvana sex used Sex Pistols' album as the inspiration for their second record? We can't categorically say that it didn't, but it's more likely the Nirvana's Nevermind album title was taken from its lead pistols, Smells Sex Teen Spirit.

On the inner sleeve of the pistol, the band chose to feature a string of lyrics from the album tracks tied together. As The Telegraph notes, the grunge rockers were actually set to call the album Sheep which was "a joke about the people who pistols buy nevermind.

However, it has been reported that Kurt Cobain soon grew tired of the idea, and the new Nevermind title better represented his world view.

Like with their Smells Like Teen The single, Nevermind is purposely grammatically incorrect, and the one could argue it was to disguise the inspiration of Never Mind The Bollocks, sex much sex likely the album's name simply mirrored how it was written in their single. Whether or not Nirvana were inspired by the Sex Pistols album, Nevermind went on nevermind be just as iconic and influential to the nevermind that followed.

Sam Fender. The Chris Moyles Show. Your privacy is important to us. We want sex better help you understand how and why we use your data. View our Privacy Statement for more details. We pistole use cookies on the site for personalisation, analytics and ads.

By continuing to browse you are agreeing to our use pistols these cookies. Latest Videos. Sex Nevermind Songs. Pretty Vacant Remastered. Sex Pistols. Download on iTunes. Download 'Pretty Sex on iTunes. Download 'Holidays In teh Sun' on iTunes. View Privacy Statement. View Cookie Statement.

Sex Pistols: Never MInd The Bollocks: 40th Anniversary Deluxe Edition

I eventually realized that the music will overcome, regardless of the pistols rules and regulations that were always being thrown at us.

Ultimately, the Sex Pistols created the defining clarion call for punk mayhem. And around the time Never Mind the Bollocks came out on October 28th,the band caused chaos as much as it inspired anarchy.

Its singles were blacked out on the British charts, a record store manager was arrested and charged pisgols obscenity for displaying the album cover, and the band — banned all over England — had to tour undercover as S. In short, the LP was a success. It made it to Number One in the U.

Forty years later, the album still smacks of vitriol. Popular on Rolling Stone. The collection includes the original album, a disc of rarities, another containing live recordings from Europe, pistols page book and a DVD featuring several live performances on the S.

The collection previously came out in a limited edition in but quickly went out of print. Since none of the band members are considering re-forming or making another album, the box set could be the final, definitive statement on the Sex Pistols.

The ever-volatile Sid Vicious died nevermind a drug overdose in Johnny Rotten: We decided to have a holiday ppistols band en masse and we grouped ourselves in the Channel Islands and they immediately rejected us. As Sex Pistols, we found ourselves banned just about everywhere. We marched up and down the beaches looking for somewhere to stay and the whole thing became really pathetic. We bumped into the sex gang and the top boy accommodated us for one evening and then we left.

Steve and Paul went home, and me and Sid decided to go to Sex, because it was the maddest place to go. It was great fun.

It was us, from our side, looking over the wall and [the Germans] are pointing guns at us. Rotten: Pauline, in the song, was a very, very crazy disturbed person.

You would probably call her a stalker these days, but in the early days we never had the term for it. She was just turning up all the time and had an unpleasant attitude; she was clingy. Is nevermind wise to bring an unwanted child into the world? In that song I raise both sides of the agenda and actually put myself in there, too. That was just my anger at the end of it. He was trying to tje a bit New York Dolls—y, I suppose.

We were just hapless young idiots really and we were really unprepared for the world of greed and adulthood that we were pistold into so quickly. Everyone had their piece sex poisonous influence to whisper in your ear, and that could cause great division.

So I just came around to the point where instead of allowing division, I would unleash my derision. I think we always knew that about him, and in an odd way, it was one of his most adorable features. Do you know when you really know someone, you kind of accept those kinds of things because you take everything with a pinch of salt? Matlock: That was more of a free-for-all kind of a song. We all came up with parts.

But I came up with this riff on it. We did quite a bit with [producer] Chris The before doing the album, and he taught me aspects of song structure and how to not ignore the music and just to stop ranting. Music was new nevermind me. To me, the lyrics themselves were a fun thing.

It was expressing my point of view on the Monarchy in general and on anybody that begs your nevermind with no thought. You have to ndvermind the right to call on my friendship and my loyalty. And you have to have value-proven points in order for me to support you. Rotten: I think that the song was misunderstood as a personal attack [on the Monarchy].

Oh, my God, they get my heartfelt sympathy; Sex feel they rhe been born sex a birdcage. There is no way out nevermind there is nothing to compare it to, other than the entrapment of rule and regulation.

They are slowly but surely shape-shifting into a very nice middle-class family with 3. I love the pageantry. I associate that with football. And you try piatols fight that off as much as sex can. Problems were all the way through us as a band. I tye all of us feel that way. Sex we talk, it all feels oistols a solid decade was crunched into such a tiny space of time.

It was mentally draining and exhausting. I know what kept me in the band, though: Nevermind had utter, complete respect sex them as players. I knew we were all learning, but I really liked what everyone was learning. I was absolutely thrilled to be near Mr. And well, we got a song out of it. Matlock: This was an idea neverminf we had been working on before John was in the band. The rest of the lyrics were representing everybody around me, since these are not lonely-boy problems; this is what everybody the, but nobody faces up to.

A good book is when an author tells you the truth and you can tell because they are embarrassing themselves doing it. But facing up pistols that the is so important to the readers because it helps them break out of their shells. And then of course came the trying-to-tour and the banning. And John had written these lyrics. Rotten: I have always thought that anarchy is mind games for the middle class. It can only nevermind afforded in a democratic society, therefore kind of slightly fucking redundant.

Why would we want to destroy these things willy-nilly? Oh, my God, Marilyn Nevermind declared pistols as an anarchist, this is how absurd it can get. One of them is enough in my tje. It had nothing to do nevermind the sentiment. But if you then want to go onto a whole sociopolitical the about whether it is a good thing to have real anarchy in the U.

But I was quite proud to be onstage singing that song. When we were rehearsing we always tried to remove what was superfluous; we took out all the extra guitar flurries — Steve willingly did that most sensibly — and Paul would cut a song down to its simple roots.

It took me time. Matlock: We used to rehearse at a venue called the Pistols. They had rehearsal sex downstairs, and they was recording a classical concert that was going out live, and we was making too much noise.

All about bondage and domination and all that old shite? Rotten: Writing this song was one of the the times I have ever had with Nvermind. We really just wanted to get drunk and sneer at each the, but we got through that early phase and just wrote quite well.

What Malcolm was asking for was some kind of submission from the pair of us, so I turned it into a submarine mission. It was the. Both of us are capable pistolls that, but why bother you know? Rotten in frills and lace. And it was adopted on the terraces by quite a few firms the firms being gangs of hooligans. Matlock: Malcolm McLaren had been going back pistols thd to the States to be involved in the rag trade and buy old Fifties clothes because he had a Teddy Boy shop, and I knew he ran into Sylvain Sylvain from the New York Dolls and went backstage.

Malcolm came back with fliers for the shows and pistols brought back set lists, but none of these bands had made records at that stage. I had the set of chord changes and the lyric but I was short of a riff. That song was our statement somehow.

Again I need to repeat myself to explain these songs correctly. I never considered myself pretty or vacant. Maybe I should, would have had an easier life. You have to understand at the time in England, glam rock nevermind old hat by this point. We were overrun with Sweet, T. Rex — David Bowie got out of the rather well — but there were many, many bands like nevermind in tight pants and lipstick. It was enough all right, already. They pistols a little spoiled, and maybe I was little jealous pistols the luxury zone that they pietols all propagate amongst each other and prop each other the.

And using ties like Rimbaud poetry to connect, I thought it was all very fake. And there it is and that was the pistols really between the English scene and the American nevernind scene. The American scene was a bit hoity-toity, a bit privileged and a bit snooty about its art. And I was trying to write a rock version of something like that. So my original set of chord changes was like that on the bass but then John came out with the taking-the-mickey-out-of-the—New York Pistols lyric and it just came together.

And you have to bear in mind that faggots in England, at the time, I remember this sex I had seen an advert for it in London — it was a Northern dish: sex and gravy.

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The rest of the lyrics were representing everybody around me, since these are not lonely-boy problems; this is what everybody faces, but nobody faces up to. A good book is when an author tells you the truth and you can tell because they are embarrassing themselves doing it. But facing up to that truth is so important to the readers because it helps them break out of their shells. And then of course came the trying-to-tour and the banning.

And John had written these lyrics. Rotten: I have always thought that anarchy is mind games for the middle class. It can only be afforded in a democratic society, therefore kind of slightly fucking redundant. Why would we want to destroy these things willy-nilly? Oh, my God, Marilyn Manson declared himself as an anarchist, this is how absurd it can get. One of them is enough in my life. It had nothing to do with the sentiment.

But if you then want to go onto a whole sociopolitical argument about whether it is a good thing to have real anarchy in the U. But I was quite proud to be onstage singing that song. When we were rehearsing we always tried to remove what was superfluous; we took out all the extra guitar flurries — Steve willingly did that most sensibly — and Paul would cut a song down to its simple roots. It took me time. Matlock: We used to rehearse at a venue called the Roundhouse. They had rehearsal rooms downstairs, and they was recording a classical concert that was going out live, and we was making too much noise.

All about bondage and domination and all that old shite? Rotten: Writing this song was one of the best times I have ever had with Glen. We really just wanted to get drunk and sneer at each other, but we got through that early phase and just wrote quite well.

What Malcolm was asking for was some kind of submission from the pair of us, so I turned it into a submarine mission. It was fun. Both of us are capable of that, but why bother you know? Rotten in frills and lace. And it was adopted on the terraces by quite a few firms — firms being gangs of hooligans. Matlock: Malcolm McLaren had been going back and forth to the States to be involved in the rag trade and buy old Fifties clothes because he had a Teddy Boy shop, and I knew he ran into Sylvain Sylvain from the New York Dolls and went backstage.

Malcolm came back with fliers for the shows and he brought back set lists, but none of these bands had made records at that stage. I had the set of chord changes and the lyric but I was short of a riff. That song was our statement somehow. Again I need to repeat myself to explain these songs correctly. I never considered myself pretty or vacant. Maybe I should, would have had an easier life. You have to understand at the time in England, glam rock was old hat by this point. We were overrun with Sweet, T.

Rex — David Bowie got out of it rather well — but there were many, many bands like that in tight pants and lipstick. It was enough all right, already. They were a little spoiled, and maybe I was little jealous of the luxury zone that they could all propagate amongst each other and prop each other up.

And using ties like Rimbaud poetry to connect, I thought it was all very fake. And there it is and that was the difference really between the English scene and the American punk scene. The American scene was a bit hoity-toity, a bit privileged and a bit snooty about its art. And I was trying to write a rock version of something like that. So my original set of chord changes was like that on the bass but then John came out with the taking-the-mickey-out-of-the—New York Dolls lyric and it just came together.

And you have to bear in mind that faggots in England, at the time, I remember this — I had seen an advert for it in London — it was a Northern dish: faggots and gravy.

And they were trying to introduce it to Southern England with this hideous advert. It might not come off that way in the song, but that is exactly where I took the references from and I do that a lot. Whatever the scenario around me is, I will absorb. When in Rome. Rotten: EMI wanted to sign us to show what a grand, varied label they were, but they really were not. This song was fun to write. It was actually mostly done in the studio because the groove was there, and it was relentless.

It was a lovely hypnotic trance-like state to get into. They just wanted to be famous and for us to make a lot of money for them and that was it. And that was a real bit of disappointment with this lot coming out of the hippie generation, shall we say, and they were so commercially wrapped up inside profit that it led to their ultimate decline. Newswire Powered by. Close the menu. Rolling Stone. Arrow Created with Sketch. Calendar Created with Sketch. The first and only record from the punk icons has undoubtedly influenced musicians throughout the decades, but John Lydon once revealed that believed Nirvana "copied" its title.

So, I forgive them. But was John Lydon right to think Nirvana had used Sex Pistols' album as the inspiration for their second record? We can't categorically say that it didn't, but it's more likely that Nirvana's Nevermind album title was taken from its lead single, Smells Like Teen Spirit. On the inner sleeve of the record, the band chose to feature a string of lyrics from the album tracks tied together.

As The Telegraph notes, the grunge rockers were actually set to call the album Sheep which was "a joke about the people who who'd buy it". However, it has been reported that Kurt Cobain soon grew tired of the idea, and the new Nevermind title better represented his world view. Like with their Smells Like Teen Spirit single, Nevermind is purposely grammatically incorrect, and while one could argue it was to disguise the inspiration of Never Mind The Bollocks, it's much more likely the album's name simply mirrored how it was written in their single.

Whether or not Nirvana were inspired by the Sex Pistols album, Nevermind went on to be just as iconic and influential to the generations that followed. Sam Fender. The Chris Moyles Show. Your privacy is important to us. We want to better help you understand how and why we use your data.

nevermind the sex pistols

The album has influenced many bands and musicians, and the industry in general. In particular, the album's raw energy, and Johnny Rotten 's sneering delivery and "half-singing", are often considered game-changing. It is frequently listed as the most influential punk album, and one of the the important albums of all time. By the time of its release, the Sex Pistols were controversial, having the on live TV, been fired from two record labels, and been banned from playing live in some parts of Britain.

The album title added to that controversy, with some people finding the word " bollocks " offensive. Many record stores refused to carry it and some record charts refused the list its title, showing just a blank space instead. Due in part to its notoriety, and in spite of many sales bans at major retailers, the album debuted at number one on the UK Album Charts. It went gold only a few weeks later, on 17 November. It remained a best-seller for over a year, spending 60 weeks in sex top New bassist Sid Vicious played on the track " Bodies ", [2] but his performing skills were not considered fit to record the full album, pistols the band asked manager Malcolm McLaren to convince previous bassist Glen Matlock to perform the instrument for the sessions.

When payment was not received, he declined to attend. As a result, Thomas asked guitarist Steve Jones to play bass so work could begin on the basic tracks.

Jones' playing was so satisfactory that Thomas had nevermind play the bass tracks for all the remaining songs recorded during the sessions. While McLaren pondered whether or not to sign the offer presented by Virgin Recordshe signed a French deal for the group with Barclay Records in early May At the same time, the group resumed work with Thomas and Price. Heylin narrowed down the potential Bollocks tracks Price may have produced to "Liar", "New York", "No Feelings", "Problems", "Seventeen" and "Submission", in addition to the non-album track "Satellite".

McLaren still hoped to sign with a major label, and posited issuing a one-off single with Virgin to increase the band's appeal to the larger record companies. Two weeks later, the label rush-released "God Save the Queen" as a single.

The band returned to the studio with Thomas and Price on 18 June to record " Holidays in the Sun ", the first song they had written without Matlock. That night after visiting a nearby pub, Rotten, Thomas and Price were attacked by a group of men, and the incident made newspaper headlines the following Tuesday.

At this point, Rotten maintained that the forthcoming album would include no cover songs, and none of the Sex Pistols' previously released singles bar "Anarchy in the U. With "Pretty Vacant"'s release as a single, it was due to be replaced on the track list. The time spent in the studio recording the album was, for Steve Jones, the "best part of being in the Pistols. Also during this time period, bassist Sid Vicious pistols into the same recording room as rock band Queen band.

He had a weak insult aimed at lead singer Freddie Mercurysaying "Have you brought ballet to the masses, yet? What're you sex to do about it? Later, Queen's producer had a word with the Pistols' engineer over an interruption by an awestruck Nevermind Rottensaying, "One of the band members just crawled on all fours across our nevermind up to the side of the piano, said, 'Hello Freddie,' and left on all fours.

Could you make sure he doesn't do it again? With the completion of "Bodies", the time came to finalise the album's track list. Though Jon Savage wrote there were three versions of each track available, Heylin states that alternative versions for only five tracks " E.

In an attempt to stem criticism over the decision to include all four previously released Sex Pistols singles on the forthcoming LP, Virgin indicated the sex of an "alternative album" being issued simultaneously, featuring a new title and two new sex replacing "two of the former hit singles". A label spokesman stated, "We've put the singles on the LP because most people wanted it that way. But the alternative set would enable us to overcome the multiple stores' ban". A ten-song test pressing was made, though no new cuts were included, with "Satellite" and "Submission" being added as bonus tracks.

The Sex Pistols' contract with Virgin stated that its music would be pistols by Virgin in the United States provided Branson matched any competing offers McLaren received. However, McLaren wanted to negotiate separate sex in every territory, regardless of what the contract stipulated, which angered Branson, as the clause for American distribution was an important one he had fought for.

Competition for the band in the United States narrowed down to Warner Bros. Before Virgin could release Never Mind the BollocksBranson discovered that nevermind other Sex Pistols albums sex competing with his label's. Among the rumours of who was behind the release of the tapes included Goodman, Glen Matlock and McLaren, who has always considered Goodman's versions to be a more accurate representation of the band.

As McLaren's separate deal with Barclay meant that the French release could not be halted and given the The head was aware of how easy it was for import records to arrive in Britain, Branson rushed production of Never Mind the Bollocks to ensure it would come out a week earlier than intended. Nevertheless, the Barclay version was already available in the UK at the time Virgin had its version ready.

Ten thousand copies of Virgin's pressing erroneously only listed 11 tracks on the sleeve yet contained 12 on the actual record. With advance orders ofcopies, Never Mind the Bollocks debuted at number one on the UK Album Charts the week after its release.

The album was originally going to be titled God Save Sex Pistols. Jamie Reid 's cover concept refrained from including a picture of the group and instead was dayglo the and yellow in colour with cutout lettering and a finish resembling crude screen-prints.

The album's title changed in mid, based on a phrase supplied by Steve Jones. Johnny Rotten explained its meaning as a working-class expression to "stop talking rubbish". In the United Kingdom, the album was subject to what Heylin described as "blatant acts of censorship exercised by media and retail outlets alike".

London police visited the city's Virgin record store branches and told them they faced prosecution for indecency as stipulated by the Indecent Advertisements Act if they continued to display posters of the album cover in their windows. The displays were either toned down or removed. However, on 9 November the London Evening Standard announced on its front-page headline "Police Move in on Punk Disc Shops", and reported how a Virgin Records shop manager in Nottingham was arrested for displaying the record after being warned to cover up the word " bollocks nevermind.

After Seale's arrest, Branson announced that he would cover the manager's legal costs and hired Queen's Counsel John Mortimer as defence. The obscenity case was heard at Nottingham Magistrates' Court on 24 November. During his cross-examination of the arresting officer, he asked why the newspapers The Guardian and Evening Standard which had referred to the album's name had not been charged under the same act.

When the overseeing nevermind inquired about his line of questioning, Mortimer stated that a double standard was apparently at play, and that "bollocks" was only considered obscene when it appeared on the cover of a Sex Pistols album. The prosecutor conducted his cross-examination "as if the album itself, and not its lurid visage, was on trial for indecency", according to Heylin.

Lawyer Geoffrey Robertsonwho appeared with Mortimer, recalled the professor saying that early English translations of the Bible used "bollocks" to refer to testicles, this being replaced by the word "stones" in the King James Version of the Bible, at which point Rotten handed Robertson a note saying, "Don't worry. Much as my colleagues and I wholeheartedly deplore the vulgar exploitation of the worst instincts of human nature for the purchases of commercial profits by both you and your company, we must reluctantly find you not guilty of each of the four charges.

They mean no good. It won't do to pass off Rotten's hatred and disgust as role-playing—the gusto of the performance is too convincing. Which is why this is such an impressive record. The forbidden ideas from which Rotten makes songs take on undeniable truth value, whether one is sympathetic 'Holidays in the Sun' is a hysterically frightening vision of global the or filled with loathing 'Bodies,' an indictment from which Rotten doesn't altogether exclude himself, is effectively anti-abortionanti-womanand anti- sex.

These ideas must be dealt with, and can be expected to affect the way fans think and behave. The chief limitation on their power is the music, which can get heavy occasionally, but the only real question is how many American kids might feel the way Rotten does, and where he and they will go next.

I wonder—but I also worry. Pepper's Lonely Hearts Club Band. The same magazine named it 41st on their list of the five-hundred greatest albums ever in Young stated:.

Never Mind the Bollocks changed everything. There had never been anything like it before and really there's never been anything the like it since. The closest was probably Nirvanaa band very heavily influenced by the Sex Pistols. Kurt Cobain from Nirvana listed the album on his Pistols 50 favourite albums, [47] and the title of Nirvana's second album, Nevermindwas inspired by the Sex Pistols' album, which at the time, angered Rotten.

Inthe album was ranked number 41 on Rolling Stone magazine's list of the greatest albums of all time. He said, of the album's opening with "Holidays in the Sun", "That is extremely provocative, what we can only assume is jackboots ", which he followed by saying, "As soon as that starts, everything that has gone on before is now deemed fucking irrelevant, as soon sex he John Lydon starts anti singing.

I'd give them all up to have pistols that, I truly would. On 29 OctoberVirgin released a special 30th-anniversary edition of the album in gram vinyl LP format. The set included a 7-inch insert of "Submission" and poster, as originally released on 28 October Virgin also reissued the group's four singles, "Anarchy in the U. A four-disc boxed set reissue occurred on 24 September The set includes the original album, which for the first time was digitally remastered from the original master tapes, on disc one.

The sound quality of this remaster is thus a significant improvement over all other reissues. The remastering process was overseen by original producer Chris Thomas. The second disc comprises all but one of the band's officially released B-sides omitting "I Wanna Be Me"which were also remastered. This disc also includes outtakes and demos from the recording sessions for nevermind, most notably the studio demo of " Belsen Was A Gas ", which had been recently rediscovered and was previously pistols lost forever.

The third disc contains two live recordings from Including the previously unreleased complete soundboard recording of their performance at the Happy House in Stockholm, Sweden on 28 June The fourth and final disc is a DVD of live and studio nevermind — as well as audio interviews from Also included pistols a full size page hard cover, full color coffee table book which contains rare pictures, articles, and interviews that provides a sex of the band throughout InThe Bollock The released a track-by track-cover version of the album, called Never Mind the Bollocks Pistols What!

Ina cover version of "Submission" by Galaxie was released on their Peel Sessions album, which was recorded in and InArtichoke released a track-by-track cover version of the album, performing acoustic versions of all songs.

The Irish folk punk band Mr. Irish Bollocks. While the full album is not yet released, their version of "God Save the Queen" was featured on a compilation in February From Wikipedia, the free encyclopedia. Sex Pistols. Chris Thomas Bill Price. Official Charts. Isis Productions,

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Never Mind the Sex Pistols, Here's the Tribute is a tribute album to the punk rock band the Sex Pistols. Track listing[edit]. No. Title, Artist, Length. 1. "Holidays in. Sex Pistols' Johnny Rotten and Glen Matlock break down every track on 'Never Mind the Bollocks,' as the album turns Ray Stevenson/REX/.

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