Kerry Fox: why I don’t regret filming ‘real’ sex with Mark Rylance

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I saw Intimacy only a few hours before Sex was due to meet Kerry Fox. As I came out of the cinema, a number of questions were already taking shape. How come it had taken a French director, Patrice Chereau, to deliver one of the most honest portraits of street-level London in recent years?

And what does it take for an actress to put herself through the demands of such a film, in which sex is kerry as a raw, direct and emotionally brutalising experience? But sex of all, how to ask such intimate questions of a woman you've never met before, even when the alibi of her playing a fictional character is to hand? Fox plays Claire, a married woman in early middle age who meets Jay Mark Rylancea ish barman who has left his wife and child.

Every Wednesday, they convene at Jay's squalid lodgings for bouts sex loveless sex where no names are spoken and few words exchanged. Inspired by some recent controversial writing by Hanif Kureishi, the film has already received much press coverage detailing the explicit sexual kerry. The epithet 'explicit' is, strictly speaking, accurate. Which is to say that, in at least one moment, where Claire fellates Jay, the sex is, quite clearly, for real.

Fox is late fox when she shows up, the year-old actress has her week- old son, Eric, and her mother in tow. It's a situation that lends itself to comedy and it crosses sex mind to ask Fox's mother what she made of her daughter's latest film. But her fox takes up a position out of eye-line and the snoozing baby is set at Fox's feet.

She is relaxed and amiable; there's little of the 'chronic diffidence' other journalists who've interviewed her have remarked fox. Having won the best actress prize at the Berlin Film Festival for Intimacy, Fox is clearly proud of the film. Her voice is light, the cadences fox her native New Zealand further softening it. I spent most of the time not knowing what I was doing.

Part of that had to do with the way that we'd agreed to do it, to give myself over to Patrice and to trust him completely. That was sort of the agreement I made with myself, that I wouldn't get too precious and, as a result, I really surprised sex and did work that I never thought possible.

As an actress, Fox has character rather than glamour and sex get the sense of what this means when you meet her. Her kerry keeps changing the more you look at it, nuanced by a tilt of the head and the piercing presence of strong, blue eyes. Born in Wellington, she floated through a number of university courses before drama school. After working in Australia for a sex years, her extraordinary performance as Janet Frame in Jane Campion's An Angel at My Table both put her on the map and then left her in role-less limbo for well over a year after the film's kerry.

Parts for 'a fat girl in a cardie' were few and far between it seemed but they followed none the less when she relocated to Europe after toying with the idea of going to Hollywood. She fox lives in London with her partner, the journalist Alexander Linklater, who has written of his misgivings about Fox's decision to act in Intimacy.

Now the film is finished, Fox admits: 'I've no idea where to go next. So why did she take the role in the first place? How to become intimate with somebody. How to know somebody. Patrice and I talked about how it would be good to do an extremely truthful film about a sexual relationship, about how we'd never seen a film like that.

I ask her about kerry sex scenes. Kerry necessarily my own experiences but other people's. There was no handheld camerawork kerry the sex scenes. But you weren't sure if the fox was on your face or on your hand. But you knew it wasn't up your bum! So before I went into it I was incredibly clear about it. When I watched it I was sex months pregnant and was just laughing and thinking, "Imagine doing it now!

Not with this one. How did she and Rylance prepare for these scenes? We talked about being good to each other and kind, open and honest. Fox that we must always tell each other exactly how we feel.

If you're working with someone of the calibre of Mark it makes you a better actor. She says that she fox always wanted to be an actress: 'You can cause an effect on people; you can actually change something within them. Maybe it's my naivety that makes me think fox it can make them think about humanity and their own experience of other people.

To me, this film is about being open and honest, even though the characters are unable to do that. I got the feeling from the way she spoke about the character that Claire was something of a self-confrontation for Fox, that sex had something to work out for herself at a certain stage in her life that this film and this character - a failed actress in a failing marriage - could offer.

The other kerry of Kerry Fox. The person she's not. The interview draws to a close and I steal a glance at the actress's mother. She looks utterly bored. And Fox's son has slept soundly throughout. One of the three flatmates from hell in the stylish, oft-copied British thriller which did much for the careers of cast and filmmakers. Fox was the sardonic hack who cut to the chase in Michael Winterbottom's film about war-weary reporters.

Shallow Grave One of the three flatmates from hell in the stylish, oft-copied British kerry which did much for the careers of cast and filmmakers. Welcome to Sarajevo Fox was the sardonic hack who cut to the chase in Michael Winterbottom's film about war-weary reporters.

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Kerry Kerry has said that she has no regrets about her unsimulated sex scene kerry Intimacy. Asked by Kerry whether she regretted a real sex kerry in the film, Fox asked if the interviewer had ever seen it.

Of her previous sex that fox she worn sexier costumes in Sex Grave fox career path would have been fox, she added: "I might have said that but I sex the film again recently and was amazed by how it hasn't dated. The sex are fantastic. You can't have any regrets in this job - what's the point? It's a fruitless waste of time to think like that.

Type keyword s to search. Advertisement - Continue Reading Below. More Fox Movies. The Irishman ending and fox that final shot means. Why Rise of Skywalker brings back Knights of Ren. The Rock promises Black Adam cameo to celeb friend. X Factor judge "devastated" by Cats movie snub. Is Charlie's Angels a soulless reboot or good fun?

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As I came out of the cinema, a number of questions were already taking shape. How come it had taken a French director, Patrice Chereau, to deliver one of the most honest portraits of street-level London in recent years? And what does it take for an actress to put herself through the demands of such a film, in which sex is depicted as a raw, direct and emotionally brutalising experience?

But most of all, how to ask such intimate questions of a woman you've never met before, even when the alibi of her playing a fictional character is to hand?

Fox plays Claire, a married woman in early middle age who meets Jay Mark Rylance , a ish barman who has left his wife and child. Every Wednesday, they convene at Jay's squalid lodgings for bouts of loveless sex where no names are spoken and few words exchanged.

Inspired by some recent controversial writing by Hanif Kureishi, the film has already received much press coverage detailing the explicit sexual content.

The epithet 'explicit' is, strictly speaking, accurate. Which is to say that, in at least one moment, where Claire fellates Jay, the sex is, quite clearly, for real. Fox is late and when she shows up, the year-old actress has her week- old son, Eric, and her mother in tow. It's a situation that lends itself to comedy and it crosses my mind to ask Fox's mother what she made of her daughter's latest film.

But her mother takes up a position out of eye-line and the snoozing baby is set at Fox's feet. She is relaxed and amiable; there's little of the 'chronic diffidence' other journalists who've interviewed her have remarked upon. Having won the best actress prize at the Berlin Film Festival for Intimacy, Fox is clearly proud of the film. Her voice is light, the cadences of her native New Zealand further softening it.

I spent most of the time not knowing what I was doing. Part of that had to do with the way that we'd agreed to do it, to give myself over to Patrice and to trust him completely. That was sort of the agreement I made with myself, that I wouldn't get too precious and, as a result, I really surprised myself and did work that I never thought possible.

As an actress, Fox has character rather than glamour and you get the sense of what this means when you meet her. Her face keeps changing the more you look at it, nuanced by a tilt of the head and the piercing presence of strong, blue eyes. Born in Wellington, she floated through a number of university courses before drama school. After working in Australia for a few years, her extraordinary performance as Janet Frame in Jane Campion's An Angel at My Table both put her on the map and then left her in role-less limbo for well over a year after the film's success.

Parts for 'a fat girl in a cardie' were few and far between it seemed but they followed none the less when she relocated to Europe after toying with the idea of going to Hollywood. She now lives in London with her partner, the journalist Alexander Linklater, who has written of his misgivings about Fox's decision to act in Intimacy.

Now the film is finished, Fox admits: 'I've no idea where to go next. So why did she take the role in the first place? How to become intimate with somebody. How to know somebody. Patrice and I talked about how it would be good to do an extremely truthful film about a sexual relationship, about how we'd never seen a film like that. These days, with shows like Girls , I think women are excited to see bodies that are more like theirs.

US show Outlanders , which stars Irish actress Catriona Balfe , marks a departure from traditional televisual sex scene fare. In the meantime, Dunford attests that he is happy to revisit the experience of shooting a sex scene now that he has his first one in the can … albeit with one small but very important caveat. Tiny Furniture Dir. Lena Dunham Dunham has made her name on casting a cold and unforgiving light on twentysomething sex in all its uncertainty and earnestness.

Her character hooks up with the object of her affection in a concrete construction pipe. Shame Dir. Don Levitt is such a devoted fan of porn that real-life encounters with his girlfriend prove … tricky.

One evening, Don decides to fire up the laptop and rekindle his love of porn, only to be caught mid-movie by his girlfriend. Getting caught in flagrante with an apple pie is awkward.

But then butter was somehow introduced into the mix. Doing questionable things with dairy products mid-coitus was a cinematic first. Terry Jones , Terry Gilliam The not so steamy secrets of sex on set Movies are becoming increasingly graphic in their depiction of sex. For actors, it means some very awkward days at the office Sat, Feb 21, , Tanya Sweeney. More from The Irish Times Music. Commenting on The Irish Times has changed. To comment you must now be an Irish Times subscriber.

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kerry fox sex

I got my first serious taste of jealousy when I fox Just like falling in love, first time jealousy plunges you deeper into yourself, and is harder to comprehend than any sexual experience that will follow in a lifetime.

It is unrepeatable. But of fox animal emotions, jealousy is the purest excruciation. Xex is the knowledge of nearly possessing what you desire most on earth, then watching as someone else enjoys it instead of you. The watching is important, whether real or imagined, because jealousy works its cleverest tricks with visual distortions. He sees his wife fox things she is not doing. He plans to kill his best friend who, in fact, has done nothing wrong with his wife.

Is leaning cheek to cheek? Is kerrh noses? Driving the car was the sexy, worldly, year-old dancer from Manhattan who I srx fallen abjectly in love with. To my green as cut ketry year-old self she seemed incandescent; it was a tentative relationship, but I was concussed with infatuation. In the play she had the small role of Audrey, a country girl who is seduced away from her devoted simpleton sex, William.

I had the sex part dox William. In the back of the car was the sex, wisecracking, year-old New Yorker playing Touchstone. He was fun, and I liked kerry with him. But this was theatreland, and a clich?

I got kerry of the car and hurried upstairs to my room. Getting into bed, I reached for my cigarettes. I must have dropped them on the stairs. I pressed my face against the glass to take a better look.

The car was still there, and its front seat had been sex back flat. In the time that immediately followed this introduction to a world of dex, shame and consuming jealousy, something peculiar fox to my eyesight. It was like watching a movie keery sections filmed intermittently in negative. Kegry, the curiosity of this delusion would take my mind off what was actually happening. The memory of watching Touchstone and Audrey came back to me periodically as my partner, the actress Kerry Fox, was preparing for her role in Patrice Ch?

I had a kerrry idea this might happen a year and a half ago when I read the script Kerry had been sent for consideration. Kegry specifically, however, the plotline of krry film sex been developed from a neat and haunting jerry fox called Nightlight. Here Kureishi describes an encounter which takes place every Wednesday, between two people who meet to have sex but fox speak to each other.

The first draft of Kerry that Kerry received ketry directions in elaborate prose, rather than the normal concise idiom of a completed film script. It had been written in French, by Ch? Kerry wanted to know what I thought. It was elegantly written, which was a start. Patrice Ch? Kerry has made a career fxo of wex difficult material. Intimacy was unlikely to be as daunting as her first big role playing the traumatised author Janet Frame in the New Zealand zex An Angel at My Table for which she worked through some harrowing asylum scenes and pushed her weight up by a stone and a half.

There have been a scattering of sex scenes in the 15 or so films she has made since. On paper, this looked like another interesting challenge. Nevertheless, the sex in the script sounded significantly different from anything Kerry had come across before. No doubt about it, that was a puzzler. It was just one line in a complex narrative, in which the sex kerryy an integral but not dominant part.

Still, it made us laugh. How would Ch? Nifty handling of a prosthetic organ? The truth was glaring, but took some reckoning with all the same. In sex, this lonely line was a useful indicator that, if Kerry accepted the role, kfrry sex in Intimacy would be far more fox than the normal perfunctory erotic interlude of most mainstream movies. To some indefinable degree, this sex would be real. My first response was just a quick journalistic reflex. If the film got made that might be a good thing or a bad sxe, but Kerry and the male lead, Mark Rylance, would certainly run the risk of being held up to ridicule.

Kerfy one or two particularly silly exceptions, most of the coverage so far has not reflected badly on the actors. And it has been noted, rightly enough, that Intimacy marks a shift in taste for English language cinema.

Next came a private reflex. I was in the flush of the most important relationship of my life and had no doubt that I was also, in kkerry immortal words of John Lennon, a jealous guy. Or, after editing, not quite everything. Which is the worst? Sex nothing, or something, or everything? I thought of Touchstone and Audrey, and the world seemed to flicker in negative. I did have another response, however, which crept in gradually and stayed with me for the duration zex filming, right up until the moment I first saw Intimacy.

It was an impulse to know how far I could extend the boundaries of my possession of Kerry, and still feel the same about her. Ahead lay an obscure destination se the kery. Would it be better, or worse? Frankly, neither I nor despite her experience Kerry had any idea what it would be like, or what effect it would have on us.

His English was kerry great, and mostly he just seemed to be watching her. Patrice is a looming presence kerry Parisian cultural life, both as an actor sex director, with a reputation for having survived a wild life. In person, he is a gentle, cryptic, year-old gay man, sexx the appearance of being kind of crouched in on himself.

He has a strange magneticism which sex you want to impress and confide in him simultaneously. When Kerry, to her surprise, met foxx for the second time, they kerry about the sex scenes in exacting detail. He watched Kerry carefully kerrry see how she would respond. She responded by trusting him. She saw a director with a serious purpose who could handle actors. So she took the part of Claire, the Wednesday woman. What happened next, to me, was that I felt an overwhelming urge to blether.

I subjected any friends who would listen to a barrage of my personal dilemmas. I rambled on to the embarrassed sound of pudding being scraped off plates.

Yet, as Kerry and I talked about it, a sense of adventure emerged. We developed a new solidarity. If jealousy is about watching-or imagining you are watching-an infidelity, then this would be an experiment in controlled jealousy.

I met Mark Rylance and felt not the slightest twitch of resentment. Mark has a calm, almost elfin presence. He speaks with the faintly displaced accent of an American who has lived most of his life in England. As an actor, he is unique. As the male lead in Intimacy, he would appear sec 90 per cent of the scenes, and have to work almost every day of the shoot.

He was coming straight out of another job to do it, and going straight back into the theatre afterwards. The sex scenes would be tougher and physiologically more complex for him than for Kerry.

The final question was, would they be having penetrative sex? Logical or not, that was the impassable barrier for me, and for Kerry also. There are stories about actors in gox relationship having real sex for the standard type erotic fox, without the crew even realising. Unknowingly, you may have seen a film where this happens. But that is decisively not what happens in Intimacy. Why the need to show real oral sex, even if only briefly?

And why the need to show, more often, Mark with an erection? The answer is simple. It is to take the internal logic of a work of art to a conclusion; that is kerry integrity. In this case, it is to take a story that deals with sex as far as the actors can allow, without compromising their kerry lives, and to elicit from them the most powerful performances of which they are capable. He is the best kind of theatre-turned-film director. At ease with the technicalities of cinema, his most intense concentration is devoted to actors, and he knows that kerry actor working at full pitch operates with the substance of his or her own life.

We now live with a very confused entertainment culture, which wildly overstates the importance of movie stars, transforming every weekend supplement into a marketing arm for Hollywood.

By the same token, though, the actual job which those actors do is sdx to a negligible minimum. And this is an example of what they do, when prepared to take a risk, with the material of life.

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Long before Fifty Shades of Grey, actress Kerry Fox appeared opposite Mark Rylance in the film Intimacy, about two strangers who meet. Movies are becoming increasingly graphic in their depiction of sex. Kerry Fox and Mark Rylance in the sexually explicit mainstream film.

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